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Bunny Hang Tags

Thursday August 11, 2011

These adorable paper bunny hang tags came to us via Amy Redmond. They were produced for Kata Golda, an artist who works primarily producing hand sewn felted children’s toys, books, and accessories. The use of letterpress and 100% cotton paper fit perfectly with Kata’s aesthetic, which features handcrafted detail and craftsmanship. The bunnies were first letterpress printed on 236# cotton Reich Paper and then die cut into the whimsical bunny shape. They are two-sided and feature a hole at the top of the bunny ear, which was created with the die cut press pass. This hole will be used to pass ribbon or twine through. This piece went through 3 passes total. Post print production, these bunnies were clothed in felt, and hand sewn with an initial on the front by Kata Golda.

Robert Bennett Business Card

Friday July 29, 2011

Robert Bennett’s business card utilized a variety of print methods. The bold U, which takes center stage on the card, is die cut out, creating not only an iconic logo, but a useful tool; the business card can now be used as a bookmark. Printed on Eames Natural White Cover, with letterpress printing on one side and offset printing on the other, we think these business cards are sturdy, useful, and most importantly, memorable.

SVC Wayzgoose Invitation

Wednesday June 1, 2011

For those of you who do not know, the School of Visual Concepts graciously hosts an Annual Wayzgoose Celebration. Events in the past have included a Letterpress Equipment Swap, tables of letterpress deliciousness for sale, and –the MAIN EVENT- a Steamrolling Smackdown Print Extravaganza! Much to our joy, we just completed the coveted SVC Wayzgoose invitations. Letterpress printed, gold foiled and diecut to a vintage ticket shape all on luscious Reich Savoy 236# Cotton. Designed by Jenny Wilkson.

Innovation

Thursday February 10, 2011

Innovation was well represented on this dramatic card design created by our friends at Graphiti Associates. The paper needed to standup to Five passes so for stability our choice was 179# Crane’s Crest Cover. First, they went through our Offset Press for a flood with reversed out type. We then had the cards laser cut. After that, they were letterpress printed 2 colors and diecut to add the final touch of rounded corners.

Elegant Party Accents

Tuesday February 8, 2011

Nothing enhances a celebration quite like a collection of letterpress printed Drink Coasters. This featured collection was designed and printed in-house, with the festive holiday spirit in mind. We chose 220# Crane’s Crest 100# Cotton paper for its stability and thickness.At double the weight of their standard 110# sheet, the letterpress impression is especially emphasized with depth and texture.In addition to its soft look and touch, Crane’s Crest 220# has stability, which is especially important for a Coaster project.

The darker paper used was Eskaboard – a heavy duty kraftboard that has the appearance of chipboard, but with more sturdiness and a more calandered surface area. Eskaboard – like 220# Crane’s Crest – has the ability to stand up to the demands of use and handling, while retaining a luxurious look and feel.